{"id":2410,"date":"2020-11-12T15:55:39","date_gmt":"2020-11-12T14:55:39","guid":{"rendered":"http:\/\/artchemia.org\/index.php\/accueil-copy\/"},"modified":"2020-11-12T15:56:22","modified_gmt":"2020-11-12T14:56:22","slug":"home-3","status":"publish","type":"page","link":"https:\/\/artchemia.org\/index.php\/home-3\/","title":{"rendered":"Ev\u00e9nements"},"content":{"rendered":"
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Artchemia<\/h1> <\/div>\n<\/div>\n\n
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Plateforme de connexions gnostiques<\/p> <\/div>\n<\/div>\n\n

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De l\u2019alchimie de l\u2019art et de la nature se lib\u00e8re la magie de la vie.<\/p> <\/div>\n<\/div>\n\n

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NOUVEAUTES BOUTIQUE<\/p> <\/div>\n<\/div>\n\t <\/div>\n\t \t<\/div>\n\t\t <\/div>\n\t \n\t<\/div>\n\t\n\t\t\n\t

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MISOGI<\/h3>
\n Lucie DEHLI \/ MISOGI\nAlbum : Homam 2020\nComposed & performed by Lucie Dehli\nFeaturing Jo QUAIL (Cello)\n\nwww.luciedehli.com\nwww.joquail.co.uk\n\n“Misogi is a washing away of all defilements, a removal of all obstacles, a separation from disorder, an abstention from negative thought, a radiant state of unadorned purity, the accomplishment of all things, a condition of lofty virtue, and a spotless environment. In misogi one returns to the very beginning, where there is no differentiation between oneself and the universe.” MORIHEI UESHIBA <\/div>\n<\/div>\n\n
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rennes celtique vectorielle<\/h3>
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Premi\u00e8re version vectoris\u00e9e de la carte (cod\u00e9e) dessin\u00e9e par Edmond Boudet, gravure parue en 1886 dans \u00ab La Vraie Langue Celtique – Le Chromleck de Rennes-Les-Bains \u00bb, \u0153uvre initiatique \u00e9crite par Henri Boudet, cur\u00e9 de RLB chez Pomi\u00e8s \u00e0 Carcassonne.<\/p> <\/div>\n<\/div>\n\n

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ARTICLES<\/h3>
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LE CROMLECK DE RENNES-LES-BAINS<\/a><\/h2>\n\t\t\t\t\t
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Bans de Rennos, de Balneis Montiferrandi, R\u00e8gnes D\u00e9finition : Monument m\u00e9galithique pr\u00e9historique constitu\u00e9 par un alignement de monolithes verticaux (menhirs), formant une enceinte de pierres lev\u00e9es, g\u00e9n\u00e9ralement circulaire. Parfois un menhir est plac\u00e9 au centre.On peut trouver des cromlechs qui ont d\u2019autres formes, depuis le simple alignement droit ou rectangulaire jusqu\u2019aux longues murailles serpentantes, mais on consid\u00e8re […]<\/p>\n\n\t\t\n\t \n\t<\/div>\n\t\n\t<\/div>\n\t\n\t\n<\/article>\n\n <\/div>\n <\/div>\n\n\t <\/div>\n\t \t<\/div>\n\t\t <\/div>\n\t \n\t<\/div>\n\t\n\t\t\n\t

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LE CROMLECK DE RENNES-LES-BAINS<\/a><\/h2>\n\t\t\t\t\t
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Bans de Rennos, de Balneis Montiferrandi, R\u00e8gnes D\u00e9finition : Monument m\u00e9galithique pr\u00e9historique constitu\u00e9 par un alignement de monolithes verticaux (menhirs), formant une enceinte de pierres lev\u00e9es, g\u00e9n\u00e9ralement circulaire. Parfois un menhir est plac\u00e9 au centre.On peut trouver des cromlechs qui ont d\u2019autres formes, depuis le simple alignement droit ou rectangulaire jusqu\u2019aux longues murailles serpentantes, mais on consid\u00e8re […]<\/p>\n\n\t\t\n\t \n\t<\/div>\n\t\n\t<\/div>\n\t\n\t\n<\/article>\n\n\n

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Summer Fashion Exhibition<\/a><\/h2>\n\t\t\t\t\t
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At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, […]<\/p>\n\n\t\t\n\t \n\t<\/div>\n\t\n\t<\/div>\n\t\n\t\n<\/article>\n\n\n

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Spring Fashion Event<\/a><\/h2>\n\t\t\t\t\t
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Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente […]<\/p>\n\n\t\t\n\t \n\t<\/div>\n\t\n\t<\/div>\n\t\n\t\n<\/article>\n\n <\/div>\n <\/div>\n\n\t <\/div>\n\t \t<\/div>\n\t\t <\/div>\n\t \n\t<\/div>\n\t\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Artchemia Plateforme de connexions gnostiques De l\u2019alchimie de l\u2019art et de la nature se lib\u00e8re la magie de la vie. NOUVEAUTES BOUTIQUE MISOGI Lucie DEHLI \/ MISOGI Album : Homam 2020 Composed & performed by Lucie Dehli Featuring Jo QUAIL (Cello) www.luciedehli.com www.joquail.co.uk “Misogi is a washing away of all defilements, a removal of all […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"builder_content":"

Artchemia<\/h1>\n

Plateforme de connexions gnostiques<\/p>\n

De l\u2019alchimie de l\u2019art et de la nature se lib\u00e8re la magie de la vie.<\/p>\n\n

NOUVEAUTES BOUTIQUE<\/p>\n\"Ev\u00e9nements\"\n

MISOGI<\/h3> Lucie DEHLI \/ MISOGI Album : Homam 2020 Composed & performed by Lucie Dehli Featuring Jo QUAIL (Cello)\nwww.luciedehli.com www.joquail.co.uk\n\"Misogi is a washing away of all defilements, a removal of all obstacles, a separation from disorder, an abstention from negative thought, a radiant state of unadorned purity, the accomplishment of all things, a condition of lofty virtue, and a spotless environment. In misogi one returns to the very beginning, where there is no differentiation between oneself and the universe.\" MORIHEI UESHIBA\n Acheter <\/a>\n\"Ev\u00e9nements\"\n

rennes celtique vectorielle<\/h3>

Premi\u00e8re version vectoris\u00e9e de la carte (cod\u00e9e) dessin\u00e9e par Edmond Boudet, gravure parue en 1886 dans \u00ab La Vraie Langue Celtique - Le Chromleck de Rennes-Les-Bains \u00bb, \u0153uvre initiatique \u00e9crite par Henri Boudet, cur\u00e9 de RLB chez Pomi\u00e8s \u00e0 Carcassonne.<\/p>\n Acheter <\/a>\n\n\n","_links":{"self":[{"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/pages\/2410"}],"collection":[{"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/comments?post=2410"}],"version-history":[{"count":3,"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/pages\/2410\/revisions"}],"predecessor-version":[{"id":2413,"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/pages\/2410\/revisions\/2413"}],"wp:attachment":[{"href":"https:\/\/artchemia.org\/index.php\/wp-json\/wp\/v2\/media?parent=2410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}